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DTSTART;TZID=Europe/Paris:20220801T080000
DTEND;TZID=Europe/Paris:20220831T190000
DTSTAMP:20260426T180739
CREATED:20220523T025621Z
LAST-MODIFIED:20220903T060901Z
UID:4029-1659340800-1661972400@www.lmstudio.org
SUMMARY:Bienvenue  Miriam Hartmann
DESCRIPTION:Pour une fois\, l’artiste qui sera en residence en Aout 2022 ne va pas avoir à voyager beaucoup et s’habituer a la région étant donné que Miriam a l’habitude de travailler dans son atelier et d’ouvrir au public à Aix en Provence. \nCependant la résidence d’artiste fait partie de son processus de travail.\nElle est d’ailleurs représentée par une galerie en Coree du Sud Gallery Rolland\, Seoul et en Allemagne par la galerie Santa Clara \nD’ici le mois d’aout\, Miriam pourra nous donner plus de renseignements sur son projet à LM Studio.\nEN attendant\, voici des informations sur sa carrière:  \nAbout Miriam Hartmann\nBorn in Kiel\, Germany\, a meandering path led Miriam Hartmann to her artist’s atelier in Provence\, France\,\nwhere she is painting between figurative and abstract – landscapes\, and more…  \n“Now\, when people look at my paintings in exhibitions or my gallery\, I can sometimes see their spontaneous reaction. They feel like me when I was painting\, discovering their silent power inside. This is my satisfaction and what I want to achieve with my work. Making the possibilities of beauty visible.” \nEducation\nMiriam Hartmann was born in Kiel\, Germany\, in 1963.\n1990 graduate engineer interior design FH Wiesbaden\nTheological pastoral training. Teaching art at high school and in adult education: art theory\, history\, and practice. Interdisciplinary projects and performances.\nSince 2014 studio and gallery in France\,\nMore than forty solo exhibitions and group exhibitions since 1995 in France\, Germany\, Switzerland\, and South Korea.\n2019 Poetry and Artprize Winner (Prix Poesie21)\, supported by the Saint-John Perse Foundation\, Aix-en-Provence; For “Outre Soi – Beyond yourself”\, Images and texts on art.\nExhibitions of Hartmann’s work have stretched worldwide from France\, Germany and Switzerland to South Korea. Her passion for art remains consistent. However\, the subject matter continues to follow the stages of her life – artist\, daughter\, mother\, spiritual being.\n“Painting is a language\, a research\, a mirror to the world\, and a mission. For me\, the mission is beauty – in the large\, philosophical sense of the term. In art\, technique\, knowledge\, experience\, self-reflection is all necessary for professionality.”\nUsing various techniques\, Hartman paints with oil\, watercolours and ochre pigments (from Roussillon). The legacy of famous artists\, including Cézanne\, Delacroix\, Liebermann\, Monet\, and Rubens inspires her. Provence’s colourful abstract landscapes dominate Hartmann’s work. However\, her spiritual journey rises to the surface with her Credo series.\n“Figurative and abstract approaches to the cross\, in Christian thought. The sign of the cross becoming a symbol\, an object of meditation. Expressive images “at the limit of the bearable” – crucifixion\, entombment\, pieta\, resurrection… A Stations of the Cross – abandoned\, charred.”  \nSelection of exhibitions and participations:  \n2020 Galerie À Aix en Provence. Ménerbes\, La Maison Dora Maar (p). KIAF Korean International Art Fair (seulement en ligne\, à cause de la crise sanitaire). Gallery Rolland (p)\, Igong-Gallery Daejeon\, Corée du Sud.\n2019 Galerie À Aix en Provence. Ménerbes\, Maison de la Truffe et du Vin du Luberon. Séoul\, Corée du Sud : Gallery Rolland (p)\, Séoul Art Show (p)\n2018 Galerie À Aix en Provence. Ménerbes. Marseille\, Radisson Blu Hôtel Vieux Port. Roussillon – OKHRA – Conservatoire des Ocres et de la Couleur. Lourmarin (Participation aux Ateliers des artistes). Deutschland : Wiesbaden\, Galerie Santa Clara (P).\n2017 Château de Pizay\, Dijon\, Ménerbes. Galerie Grenier aux Artistes\, Roquecor (P).\nInvitée d’honneur au Salon de Palaiseau. Exposition permanente à Tournus : Galerie À Tournus\, Abbaye Saint Philibert Tournus.\n2016 Mâcon\, Galerie Mary-Ann\, Mairie de Mâcon. Genève\, La Galerie Chausse Coqs. Cuiseaux\, Château des Princes d’Orange. Biennale Cuiseaux (P). Ménerbes\, La Maison de la Truffe et du Vin du Luberon.\nTournus\, Réfectoire des Moines\, Salle capitulaire – CREDO avec Ludger Martens\, Galerie À Tournus.\n2015 Chalon. Gordes. Cluny.\nGalerie Pierre MASBANAJI\, Tournus\nMaubec\, Vaucluse: Espace Culturel Armand Meffre. Saint Rémy de Provence\, Route des Artistes (P). Romenay\, Galerie des Arts.\nTournus\, Salle capitulaire de l’Abbaye Saint Philibert – CREDO\nBeaune\, La Chapelle Saint Étienne.\n2014 Kapelle der St. Ursula-Schule Geisenheim am Rhein. Saint Rémy de Provence\, Route des Artistes (P). Maubec\, Vaucluse: Espace Culturel Armand Meffre. Stadtkirche Grünberg.\nGalerie Pierre MASBANAJI\, Tournus (P). Galerie Espace ESPERLUETTE\, Cavaillon (P).\n2012 Landesmuseum Wiesbaden\, „Kurze Nacht – Schwarz und Weiß“; Schülerarbeiten aus einer Kooperationsarbeit der Oberstufenkurse Kunst und Darstellendes Spiel an der St. Ursula-Schule Geisenheim. (P) .\nAufführung der “Dreigroschenoper” nach Bertolt Brecht und Ausstellung der Schülerarbeiten in der St. Ursula-Schule Geisenheim. Zusammenarbeit Kunst (Leitung: Miriam Hartmann-Rösch)\, Musik (Leitung: Thomas Bachmann – www.thbachmann.de ) und Darstellendes Spiel (Leitung: Bärbel Rößler)\nL’Isle sur la Sorgue\, Galerie Augeraud (P). Kreuzgang Kloster Johannisberg\, Geisenheim.\n2013 Volkshochschule Wiesbaden. Route des Artistes\, Saint Remy de Provence\, (P). Galerie Alte Villa in Lorch am Rhein. Herborn\, Alte Färberei (P).\nL’Isle sur la Sorgue\, Galerie Augeraud (P)\, Marseille. Salon des Antiquaires & Galeries d’Art (P)\n2011 Nassauische Sparkasse Rüdesheim. Kreishaus Bad Schwalbach. Basilika Mittelheim am Rhein. Theologisches Seminar Schloss Herborn. 6. Hessischer Familientag in Eltville\,\n2010 Schloss Herborn\, Theologisches Seminar.\nMuseum der Stadt Lorch.\n2008 Performance „Malerei und Musik“ mit Thomas Bachmann und\nSchülern der St.Ursula-Schule Geisenheim\n2007 Galerie studio_01\, Wiesbaden\n….
URL:https://www.lmstudio.org/expositions/bienvenue-miriam-hartmann/
CATEGORIES:Expositions Historiques
ATTACH;FMTTYPE=image/jpeg:https://www.lmstudio.org/wp-content/uploads/2022/05/affiche2-Hyeres2022-A3small.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220828
DTEND;VALUE=DATE:20220927
DTSTAMP:20260426T180739
CREATED:20190901T041450Z
LAST-MODIFIED:20230501T230949Z
UID:3167-1661652000-1664157599@www.lmstudio.org
SUMMARY:artiste en résidence en Septembre 2022: Horacio Sanchez Fantino en provenance d'Argentine
DESCRIPTION:annonce de l’exposition a LM Studio septembre 2021 \nDécouvrez le travail de Horacio Sanchez Fantino\nEn premier: consultez la fiche de l’artiste Horacio sur le site de LM Studio et  le site internet de l’artiste.\n\nEnsuite :  Abonnez vous à l’instagram d’Horacio\net sans oublier twitter !…. tw:sanchezfantino \n\nMais surtout…\nwatch the video\nEgalement\nREAD more on: thanks to the  “the streaming Museum”\n\n“Horacio Sánchez Fantino was born in Rosario\, Argentina. Now he lives and works in Buenos Aires. He has been creating paintings and assemblages with wood\, canvas\, paper and recycled materials for over 30 years. His work has been exhibited and collected internationally. \nIn 2010 Horacio Sanchez Fantino developed the Tin Can Maps project. This is an artistic interpretation of cartography using discarded tin can materials to create wall sculptures. He takes pictures and researches newspapers\, maps\, and aerial and Google Earth images of the locations where he perceives social\, political or ecological conflict. It could be urban centers where piles of garbage are produced. But sometimes also areas ecologically damaged by human consumption\, shantytowns and their social\, cultural and urban burden. Whereas satellite aerial views show social and architectonic characteristics and environmental damage\, Fantino’s art brings together views from above with actual discarded materials taken from that location. This creates a tangible sensory perception of the global problem of waste\, consumer society and planned obsolescence. \nMost importantly\, the production process involves a team of people from different social levels\, and recycling cooperatives and neighbors who provide the material. In addition\,Fantino developed a program to train young people from the Villa neighborhoods to give them the experience of creating art in a social and collaborative effort\, and the sense of accomplishment in exhibiting the work in their neighborhoods. \nSOURCE  \n\n 
URL:https://www.lmstudio.org/expositions/2020-horaciofantino/
LOCATION:LM Studio\, 5 bis rue du Portalet\, Hyeres\, 83400\, France
CATEGORIES:Expositions Historiques
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